A major 20th century painter in India and France exhibited at the Center Pompidou in June 2021
The Spirit of Nature: Sayed Haider Raza, is a collective work edited by Ashok Vajpeyi and Annie Montaut and bringing together contributions from art critics, artists and art historians around Sayed Haider Raza, one of the major painters of the twentieth century who lived in France, but steeped in Indian culture. It aims to articulate the spiritual dimension - that all critics agree in recognizing in the artist's paintings - an ethics of cohabitation with nature. The mode of cohabitation offered by Raza's abstract art is understood as a partnership that establishes respect and love for the elementary universe on the feeling of being consubstantial with them. In this he joins secular Indian traditions, both in the great classical texts and in popular beliefs and literature oral or written vernacular. The original trajectory of Sayed Haider Raza (1922-2016), born and raised in the middle of the forests of Central India, then co-founder of the Bombay Progressive Artist Group, member noticed from the Paris school in the fifties before defining himself outside any school or any movement, focusing on aesthetic and philosophical traditions Indian, is the subject of the first part (autobiographical texts by Raza, Vajpeyi). The second places it in the history of Indian and Western art (Waldemar-George, Gaudibert, von Leyden, Dalmia). The third develops a series of more technical analyzes of art and aims of the painter (Bartholomew, Hoskote, Padgaonkar, Vajpeyi, Shahani, Puskale). The last section gathers memories of painters friends and interviews (Khanna, Kumar, Nair). The introduction is by Annie Montaut.
Annie Montaut, professor emeritus of universities, is a great specialist in Vaid's work.
Ashok Vajpeyi is an Indian poet, essayist, and literary and cultural critic. He is the founder of Bharat Bhavan in Bhopal (1980), which includes a theater, an adivasi painting museum and modern and which welcomes artists and writers in residence. He has published numerous collections of poetry in Hindi and has created several literary journals in Hindi (Samvat, Pahcan, Kavita Asia, Samasa, Bahuvachan) and in English (Hindi: Languages Discourse Writing, Poorvagrah) which were among the most important revealers of new talent.